Dasher, Dancer, Prancer, Vixen! Yippee-kai-yay, Motherblitzen!
Jingle Bell Schlock: ‘Silent Night, Bloody Night’ (1972)
Kicking things off with some public domain madness…
Review: ‘A Wounded Fawn’ (2022)
One to fawn over indeed.
Review: ‘Blood Relatives’ (2022)
Paper (Blood) Moon? Sure, why not!
Review: ‘The King of Laughter’ (2022)
No leftovers required…
Review: ‘Bantu Mama’ (2022)
Someone else’s baggage…
Review: ‘One Piece Film: Red’ (2022)
The day the music lied…
Review: ‘The Loneliest Boy in the World’ (2022)
Deadpan on arrival…
Review: ‘Phantom Project’ (2022)
Unchained melody, unpaid rent…
Review: ‘What We Leave Behind’ (2022)
If you build it, they will come…
Review: ‘Lou’ (2022)
Allison Janney brings the thunder!
Review: ‘Section 8’ (2022)
From True Blood to true vengeance…
Review: ‘Raven’s Hollow’ (2022)
Some Poe-faced horror just in time for fall…
Review: ‘Tiny Cinema’ (2022)
Hard to portmanteau…
Blu-ray Review: ‘Creepshow: Season 2’ (2021)
It’ll swallow your happy little soul…
Noirvember Chills: ‘Lord of Illusions’ (1995)
“Taste the darkness, D’Amour. It’s been waiting for you!”
The Schlocketeer 